1 00:00:35,710 --> 00:00:40,470 Years ago, when I started buying old paintings at country house auctions all 2 00:00:40,470 --> 00:00:44,390 over England, I decided I'd better learn to clean and restore them myself. 3 00:00:45,030 --> 00:00:46,030 So I did. 4 00:00:47,270 --> 00:00:52,870 One day, I bought a small painting for 25 pence from a junk shop in Brighton. 5 00:00:53,370 --> 00:00:57,410 It didn't even have a stretcher, it was just a loose canvas, and it had almost 6 00:00:57,410 --> 00:00:59,670 certainly been cut out of its frame by a thief. 7 00:01:01,350 --> 00:01:03,630 When I cleaned off the top layer of paint, 8 00:01:04,360 --> 00:01:08,520 There, underneath it, was a beautiful little Renoir landscape. 9 00:01:10,440 --> 00:01:14,520 The idea for the story you're going to see now actually came to me while I was 10 00:01:14,520 --> 00:01:15,520 working on it. 11 00:01:33,820 --> 00:01:35,980 Oh, that's just splendid. Now, where was I? 12 00:01:36,400 --> 00:01:41,120 Oh, yes, on the plane, on the plane coming back from New York. I found 13 00:01:41,120 --> 00:01:45,980 sitting next to Paul Mannheim, you know, the art critic. 14 00:01:46,220 --> 00:01:52,360 Well, one thing led to another, and when we got back to London, he came around 15 00:01:52,360 --> 00:01:54,860 the flat and took a look at my Picasso. 16 00:01:56,240 --> 00:02:01,400 He said, I'll take another look at it after it's been cleaned. 17 00:02:02,410 --> 00:02:04,870 Well, you can imagine. I didn't act very kindly to that. 18 00:02:06,310 --> 00:02:09,310 I do love this doctor. This is just marvelous. 19 00:02:11,230 --> 00:02:12,850 What were we saying? 20 00:02:15,130 --> 00:02:16,130 About the potato? 21 00:02:16,490 --> 00:02:21,410 Oh, yes, yes. So, well, this friend of mine, well, she's just a... 22 00:02:21,410 --> 00:02:24,690 So, 23 00:02:26,250 --> 00:02:28,930 I've learned to do it myself. 24 00:02:29,730 --> 00:02:32,160 I've been almost... After the castle already. 25 00:02:33,320 --> 00:02:34,320 Thank you, darling. 26 00:02:36,180 --> 00:02:38,340 What's more, I'm pretty good at it, too. 27 00:02:38,680 --> 00:02:42,000 All it takes is a steady hand and a little patience. 28 00:02:43,120 --> 00:02:47,940 We professionals who go on show about the secrets of their trade and 29 00:02:47,940 --> 00:02:54,700 charge these absorbent prices. Well, they get no more of my business. From 30 00:02:54,700 --> 00:02:58,420 now on, as far as my own collection is concerned, I'll clean them myself, 31 00:02:58,540 --> 00:02:59,700 restore them if necessary. 32 00:03:00,650 --> 00:03:06,470 I've set myself to clean my... Oh, darling, I'm bored of you. I am sorry. 33 00:03:06,830 --> 00:03:08,370 No, Lionel. 34 00:03:09,030 --> 00:03:14,690 I've had such a long day. Please forgive me. I'm having a lovely time. 35 00:03:14,930 --> 00:03:18,770 No, I've got no right going on about my pictures like that. I sometimes forget 36 00:03:18,770 --> 00:03:21,970 how young you are, but you can't have done. No, thank you. 37 00:03:22,790 --> 00:03:26,090 I'm loving with you, Lionel. You know that. 38 00:03:27,459 --> 00:03:30,120 Oh, Miss Heavy Lads, we're going home. 39 00:03:30,820 --> 00:03:34,120 Clarence! Come on. 40 00:03:43,020 --> 00:03:44,020 Rodney? 41 00:03:44,280 --> 00:03:46,660 I'd love to. I'll call for you about eight. 42 00:03:47,280 --> 00:03:50,680 Oh, Sunday, we're invited to the Mulherons. 43 00:03:52,160 --> 00:03:55,200 Janet, we're being thought of as a couple, perhaps. 44 00:03:57,610 --> 00:04:01,150 Perhaps we should give them something really to talk about. 45 00:04:04,230 --> 00:04:05,230 Friday. 46 00:04:07,410 --> 00:04:08,410 Eight o 'clock. 47 00:04:51,320 --> 00:04:53,100 Lionel! Gladys, what a coincidence. 48 00:04:53,720 --> 00:04:54,720 Isn't it just? 49 00:04:55,380 --> 00:04:56,740 May I give you a ride? 50 00:04:57,080 --> 00:04:58,340 You certainly may. 51 00:04:58,560 --> 00:05:01,960 I'll not only take you home, I'll give you one for the road. 52 00:05:02,180 --> 00:05:03,380 At my place. 53 00:05:06,180 --> 00:05:10,860 This really must be my life. Lionel, you must learn to unbend a little. Relax. 54 00:05:11,360 --> 00:05:14,140 But I'll tell you something. Your slightly old -fashioned manners, your 55 00:05:14,140 --> 00:05:19,220 formality, your courtesy, that's what makes you so irresistible. My first 56 00:05:19,280 --> 00:05:21,920 Holly, is that it was my money. Oh, lie. What is it? 57 00:05:22,240 --> 00:05:23,860 I should have noticed this news. 58 00:05:24,240 --> 00:05:25,240 This? 59 00:05:27,080 --> 00:05:29,840 Now, tell me what you think of my new portrait. 60 00:05:30,740 --> 00:05:32,680 You know the artist, of course. No. 61 00:05:33,360 --> 00:05:35,840 And you're meant to be such a great collector? 62 00:05:36,460 --> 00:05:39,900 Royden, John Royden. He's all the rage. Oh, yes. 63 00:05:40,220 --> 00:05:44,340 Everyone's lining up, simply lining up to get themselves done. He charges 64 00:05:44,340 --> 00:05:46,060 thousands for a commission. 65 00:05:46,320 --> 00:05:47,880 I think he's a genius. 66 00:05:48,200 --> 00:05:49,200 Don't you? 67 00:05:49,220 --> 00:05:51,920 Well, that seems to be going a little far. 68 00:05:52,420 --> 00:05:57,440 Well, take a good look at it, Lionel. Do you see how beautifully the dress is 69 00:05:57,440 --> 00:05:58,700 painted? Not especially. 70 00:05:58,980 --> 00:06:01,220 Oh, come with me. I want you to look at it carefully. 71 00:06:07,230 --> 00:06:08,230 Well? 72 00:06:08,610 --> 00:06:10,570 Suddenly seems he heals with a lot of paint. 73 00:06:11,130 --> 00:06:13,430 Oh, maybe that's why he charges so much. 74 00:06:13,750 --> 00:06:15,130 Lionel, you're being superior. 75 00:06:15,690 --> 00:06:20,450 I think I'll tell you a secret. No. This is probably the best -kept secret in 76 00:06:20,450 --> 00:06:25,050 London. A woman's secret. It's known to about, let me see, about 30 or 40 women 77 00:06:25,050 --> 00:06:27,070 altogether, and not a single man. 78 00:06:27,290 --> 00:06:31,850 Except him, of course, John Royden. And now I'm going to tell you... No secrets, 79 00:06:31,930 --> 00:06:35,130 please. Thank you very much. I've got to go home. Oh, Lionel, don't you want to 80 00:06:35,130 --> 00:06:36,130 hear my secret? 81 00:06:38,640 --> 00:06:40,520 Sit down and make yourself comfortable. 82 00:06:43,360 --> 00:06:47,740 But first of all, promise, promise you won't tell a soul. I promise. 83 00:06:48,220 --> 00:06:50,000 Good. Now, listen. 84 00:06:50,520 --> 00:06:54,440 I suppose you know John Royden paints only women. No. 85 00:06:55,600 --> 00:06:59,820 Well, you noticed how thick the paint was on the dress. Oh, yes. Can you guess 86 00:06:59,820 --> 00:07:00,820 why? No. 87 00:07:01,300 --> 00:07:03,420 When I went to my first city... 88 00:07:03,630 --> 00:07:07,390 John asked me if I didn't think that most clothed portraits of women were 89 00:07:07,390 --> 00:07:12,490 artificial and flat, as if the dress were draped over a log of wood. And he 90 00:07:12,490 --> 00:07:13,830 asked me if I knew why. 91 00:07:14,350 --> 00:07:17,430 Do you know why, Lionel? No, can't say that I do. 92 00:07:17,770 --> 00:07:23,010 John said it's because the painters themselves didn't really know what was 93 00:07:23,010 --> 00:07:26,710 underneath. Well, that is certainly an original thing for a painter to say. 94 00:07:27,010 --> 00:07:31,650 Well, let me finish. And he said that's why I insist on painting my subjects, 95 00:07:31,670 --> 00:07:36,490 first of all, In the nude. And then you walked out. Well, 96 00:07:37,430 --> 00:07:40,150 obviously you didn't. Well, of course I didn't. 97 00:07:40,450 --> 00:07:44,390 First you pose in the nude. And then you come back and he paints on your 98 00:07:44,390 --> 00:07:47,530 underclothing. And when that's dry, he paints on the dress. 99 00:07:47,750 --> 00:07:53,170 He builds it up, you see, layer by layer. Well, perhaps he once heard of 100 00:07:53,430 --> 00:07:56,550 Who? Oh, never mind. Oh, I must confess. 101 00:07:56,770 --> 00:08:00,730 I rather enjoyed sitting there in the middle of his room with nothing on. 102 00:08:01,320 --> 00:08:05,660 Quite exciting. Yes, sir. Don't you want life to be exciting, Lionel? 103 00:08:06,660 --> 00:08:08,580 Gladys, if you'll forgive me. 104 00:08:09,160 --> 00:08:12,680 What I really want is to go home. Wouldn't you have liked to have been a 105 00:08:12,680 --> 00:08:16,240 painter? Oh, think what fun they must have. Of course, it's all a little 106 00:08:16,240 --> 00:08:20,000 clinical, like undressing in front of the doctor. But there's nothing clinical 107 00:08:20,000 --> 00:08:24,080 about you, Lionel. I'd pose for you, whether you were a painter or not. 108 00:08:24,760 --> 00:08:29,920 Well, I'm not. Oh, you... Let me have my coat, please. You disappoint me. I'm 109 00:08:29,920 --> 00:08:35,000 terribly sorry. To think of the trouble I went to. I waited almost an hour. 110 00:08:35,140 --> 00:08:36,140 What? 111 00:08:36,200 --> 00:08:37,200 Nothing, nothing. 112 00:08:38,159 --> 00:08:42,280 I just meant to say, I've waited all my life to meet someone like you. 113 00:08:42,500 --> 00:08:45,740 Don't you find me just a little bit attractive? 114 00:08:46,160 --> 00:08:52,080 Gladys, I think you are very beautiful. You have style and certain character. 115 00:08:52,800 --> 00:08:57,620 Well, all the qualities that I admire very much. But really, I'm not part of 116 00:08:57,620 --> 00:08:59,800 your scene. I'm very set in my ways. 117 00:09:00,280 --> 00:09:03,180 Really, I don't belong in this modern world. 118 00:09:03,760 --> 00:09:05,440 I try, I... 119 00:09:05,740 --> 00:09:09,380 seen in the right places. I've even tried to learn to dance. Hopeless 120 00:09:09,380 --> 00:09:11,640 go to Saint -Tropez, lie in the sun. 121 00:09:12,100 --> 00:09:16,320 You know, I actually blush when I have to address a half -naked woman. 122 00:09:16,640 --> 00:09:20,220 I simply don't believe in casual relationships. 123 00:09:20,800 --> 00:09:25,420 Who said anything about casual? Oh, that's right. Oh, if only I'd met you 124 00:09:25,420 --> 00:09:27,400 ago, before I met George Ponsonby. 125 00:09:27,930 --> 00:09:30,230 I should have known by his name it couldn't last. 126 00:09:30,670 --> 00:09:33,390 Thompson B. But I thought third time lucky. 127 00:09:33,710 --> 00:09:39,350 But you're very sweet. Very sweet. But I... Well, at the moment, I'm, uh, well, 128 00:09:39,430 --> 00:09:40,610 more or less engaged elsewhere. 129 00:09:41,030 --> 00:09:42,030 What do what? 130 00:09:42,050 --> 00:09:43,310 Janet de Pelagia? 131 00:09:43,710 --> 00:09:45,550 Oh, you... you know. 132 00:09:45,810 --> 00:09:46,810 Of course I know. 133 00:09:46,990 --> 00:09:48,030 Everybody knows. 134 00:09:48,270 --> 00:09:51,070 And I also know that nothing's happened. 135 00:09:51,290 --> 00:09:54,190 Well, uh, how do you, uh, how do you happen to know that? 136 00:09:54,410 --> 00:09:57,310 Because I heard Janet say so. You heard Janet say that? 137 00:09:58,060 --> 00:09:59,820 No, Lionel, I'm not getting into this. 138 00:10:00,240 --> 00:10:04,840 Except, except she does say some rather peculiar things about you. What sort of 139 00:10:04,840 --> 00:10:05,960 peculiar things? 140 00:10:06,340 --> 00:10:07,319 Oh, no. 141 00:10:07,320 --> 00:10:10,020 It'd be wrong of me to tell you. Well, what did she say? 142 00:10:10,240 --> 00:10:11,320 Oh, now, let me see. 143 00:10:11,580 --> 00:10:15,260 Oh, of course, she was only joking. I couldn't dream of telling you, but I 144 00:10:15,260 --> 00:10:18,840 suppose she did say how it was all a wee bit of a bore. What was? 145 00:10:19,220 --> 00:10:20,220 Well... 146 00:10:21,690 --> 00:10:25,610 It's just that I happened to be seated near her in the hairdresser the other 147 00:10:25,610 --> 00:10:29,510 day, and someone asked her if she were free the following evening. And I heard 148 00:10:29,510 --> 00:10:33,550 her say, no, I can't. I'm dining with Lionel Lamson. Oh, he's lovely, but I 149 00:10:33,550 --> 00:10:38,130 can't take all that art talk. It bores me to tears. Janet said that? 150 00:10:38,690 --> 00:10:42,730 May have misheard, but I don't think so, because then she went on to say... Oh, 151 00:10:42,830 --> 00:10:47,190 no, Lionel, I'm not going to say anything. Yes, you are. Yes, you are. I 152 00:10:47,650 --> 00:10:48,650 Oh, this is awful. 153 00:10:49,240 --> 00:10:54,020 Oh, I shouldn't have had another drink. You won't think badly of me, will you? I 154 00:10:54,020 --> 00:10:55,200 couldn't bear that. 155 00:10:55,420 --> 00:10:59,780 Gladys, I shall consider your confidence an act of friendship. 156 00:11:01,020 --> 00:11:06,880 Well, what I actually heard her say was, such a crashing bore. 157 00:11:07,300 --> 00:11:11,420 Because with Lionel, one can always tell exactly what will happen. I mean, right 158 00:11:11,420 --> 00:11:12,520 from beginning to end. 159 00:11:12,880 --> 00:11:16,660 For dinner, we always go to the same grill room. Afterwards, always to the 160 00:11:16,660 --> 00:11:20,480 nightclub. And for two hours, I'll have to listen to him droning away about 161 00:11:20,480 --> 00:11:21,860 pictures. Always pictures. 162 00:11:22,120 --> 00:11:25,460 And then he will have a cigar and blow the smoke right in my face. And then a 163 00:11:25,460 --> 00:11:29,360 taxi home. And then at the front door, while I fish for my key, he'll stand 164 00:11:29,360 --> 00:11:32,220 beside me with a sort of silly spaniel look in his eyes. 165 00:11:32,720 --> 00:11:35,500 Why, Lionel, what's the matter, dear? 166 00:11:36,340 --> 00:11:37,660 You've forgotten your coat. 167 00:11:41,680 --> 00:11:44,480 You are a bit glad to be here. 168 00:11:47,160 --> 00:11:48,980 Oh, thank heavens. There he was. 169 00:11:52,260 --> 00:11:53,260 Good morning, sir. 170 00:11:55,680 --> 00:11:58,100 I was quite worried. Your bed was unslifted, sir. 171 00:12:00,300 --> 00:12:01,300 Here's your coffee, sir. 172 00:12:02,020 --> 00:12:03,020 I'll pour it. 173 00:12:03,540 --> 00:12:04,780 Oh, good morning, Wilkins. 174 00:12:05,100 --> 00:12:06,100 There you go, sir. 175 00:12:06,460 --> 00:12:07,460 Thank you. 176 00:12:08,320 --> 00:12:09,320 Thank you. 177 00:12:28,140 --> 00:12:30,380 I would like to speak to Mr. John Royden, please. 178 00:12:31,380 --> 00:12:34,800 Just say a prospective client is calling. 179 00:12:35,840 --> 00:12:38,040 Oh, I know he only paints women. 180 00:12:38,340 --> 00:12:39,880 That's just the point. 181 00:12:45,100 --> 00:12:46,100 Mr. Royden. 182 00:12:46,900 --> 00:12:48,360 Oh, show him in, please. 183 00:12:49,760 --> 00:12:51,200 Please sit down, Mr. Royden. 184 00:12:51,480 --> 00:12:52,480 John. John, 185 00:12:53,680 --> 00:12:56,440 I have an unusual request to make of you. 186 00:12:57,260 --> 00:13:01,500 Something of a rather personal nature. I hope I can trust you to be discreet. 187 00:13:01,840 --> 00:13:06,220 Of course. I want you to paint a portrait of a certain lady here in town. 188 00:13:06,700 --> 00:13:11,940 I want to possess, besides a Royden for my collection, a very fine portrait of 189 00:13:11,940 --> 00:13:14,100 her. But there are complications. 190 00:13:15,200 --> 00:13:19,220 For example, there are reasons why I don't want the lady to know that it is I 191 00:13:19,220 --> 00:13:21,140 who am commissioning the portrait. 192 00:13:21,580 --> 00:13:23,280 Why? Is she married? 193 00:13:23,820 --> 00:13:24,820 Not yet. 194 00:13:25,210 --> 00:13:29,650 It's just that I have my own reasons for not... I'm a painter, an artist. 195 00:13:29,890 --> 00:13:30,970 I paint pictures. 196 00:13:31,770 --> 00:13:36,230 All this social stuff is rather a waste of time. Oh, I am sorry. I was under the 197 00:13:36,230 --> 00:13:39,850 impression that you are what used to be called a society painter. 198 00:13:40,530 --> 00:13:41,790 Look, I paint women. 199 00:13:42,010 --> 00:13:45,810 I have a special feeling for them. So I believe if they interest me, I paint 200 00:13:45,810 --> 00:13:50,270 them. I think we understand each other now. Do you happen to know a lady by the 201 00:13:50,270 --> 00:13:52,050 name of Janet? 202 00:13:52,810 --> 00:13:53,810 The Bellagio. 203 00:13:54,050 --> 00:13:56,750 I've seen her picture in the glossy magazines, of course. Of course, 204 00:13:56,870 --> 00:13:59,290 You don't know her. Well, we'll get to that later. 205 00:13:59,650 --> 00:14:05,250 Now, I like the portrait full length, about twice the size of this little 206 00:14:05,250 --> 00:14:06,250 Matisse here. 207 00:14:06,510 --> 00:14:07,870 About 60 by 36. 208 00:14:08,110 --> 00:14:13,770 Exactly. And standing. That, to my mind, is her most graceful attitude. 209 00:14:14,290 --> 00:14:17,130 Look, Mr. Lamson. Nyman. Of course, Nyman. 210 00:14:17,970 --> 00:14:21,850 I'm a painter. So you say. And we painters have to make a living. Ja. 211 00:14:22,860 --> 00:14:29,740 John, I am willing to pay you 50 % over and above your usual fee. 212 00:14:32,840 --> 00:14:38,320 Yes, I do remember she has a remarkably interesting face. Oh, she does, she 213 00:14:38,320 --> 00:14:45,060 does. Now, to eliminate the final difficulty, how to contrive a meeting 214 00:14:45,060 --> 00:14:48,640 you and the lady in question without arousing suspicion? 215 00:14:49,620 --> 00:14:51,460 We must make it look... 216 00:14:51,870 --> 00:14:52,890 Like a coincidence. 217 00:14:53,850 --> 00:14:58,330 I suggest you tell her she's the sort of model you've been searching for for 218 00:14:58,330 --> 00:14:59,330 years. 219 00:15:00,430 --> 00:15:04,950 Just the right face, the right figure, the right colored eyes. You know, you 220 00:15:04,950 --> 00:15:05,950 know that sort of thing. 221 00:15:06,830 --> 00:15:10,210 And then, ask her if she'd mind sitting. 222 00:15:10,510 --> 00:15:11,630 Oh, free of charge. 223 00:15:13,090 --> 00:15:15,730 I feel sure she'd be delighted to help. 224 00:15:19,610 --> 00:15:20,950 Miss Lamson's residence. 225 00:15:23,010 --> 00:15:24,490 Oh, good morning, Mr. 226 00:15:24,710 --> 00:15:25,710 Bellagio. 227 00:15:26,110 --> 00:15:28,410 No, madam, I'm afraid he's not back yet from Saint -Tropez. 228 00:15:30,110 --> 00:15:33,110 Oh, could you hold on a moment, please, madam? There's someone at the front 229 00:15:33,110 --> 00:15:34,110 door. 230 00:15:41,270 --> 00:15:41,630 Sorry 231 00:15:41,630 --> 00:15:50,410 about 232 00:15:50,410 --> 00:15:51,410 that, madam. 233 00:15:54,150 --> 00:15:56,870 Well, I think I can now say that Mr. Lamson will be back very shortly. 234 00:15:57,970 --> 00:15:59,770 Oh, please be careful. 235 00:16:01,290 --> 00:16:02,290 Pardon? 236 00:16:03,350 --> 00:16:05,170 Yes, it has been a long time, madam, almost three months. 237 00:16:07,670 --> 00:16:09,150 Yes, I shall look forward to that, madam. 238 00:16:11,590 --> 00:16:13,750 Yes, of course, madam, I tell him that you telephoned often. 239 00:16:14,730 --> 00:16:15,730 Good day, madam. 240 00:16:20,490 --> 00:16:21,670 I should like to send a cable, please. 241 00:16:22,640 --> 00:16:25,920 To Lamson, Hotel Biblas, Saint -Tropez. 242 00:16:26,680 --> 00:16:27,780 Yes, France. 243 00:16:28,980 --> 00:16:31,160 Welcome back, sir. Thank you, Wilkins. 244 00:16:32,260 --> 00:16:33,260 Excellent. 245 00:16:33,740 --> 00:16:34,740 Help me, yes. 246 00:16:35,360 --> 00:16:38,180 Help me move this on to the easel. Oh, very good. Leave it. 247 00:16:39,820 --> 00:16:44,320 Easy. Yes, sir. Around there. Yes, sir. There have been several messages for 248 00:16:44,320 --> 00:16:45,960 you. Step out. Yes, yes. 249 00:16:47,080 --> 00:16:49,580 Mr. Appalachia telephoned several times. 250 00:16:50,740 --> 00:16:52,420 And Mrs. Gladys Ponsonby. 251 00:16:52,920 --> 00:16:55,680 She wanted to know exactly where you were. I am sure. 252 00:16:55,980 --> 00:17:00,980 I just said the South Front. Very tactful of you, Wilkins. Oh, Wilkins, 253 00:17:00,980 --> 00:17:04,319 working in here for the next two or three days. I want to be left absolutely 254 00:17:04,319 --> 00:17:08,240 alone. I want my meals on a tray and left out there. Is that understood? 255 00:17:08,819 --> 00:17:09,819 Clearly, sir. 256 00:17:11,900 --> 00:17:16,380 And Wilkins, that order is to take effect immediately. 257 00:17:17,220 --> 00:17:18,220 Yes, sir. 258 00:17:30,700 --> 00:17:31,700 It's red. 259 00:18:11,580 --> 00:18:13,620 This is almost embarrassing. 260 00:18:22,020 --> 00:18:23,020 Janet. 261 00:18:30,380 --> 00:18:31,380 Janet. 262 00:18:37,500 --> 00:18:39,200 Is everything all right, sir? 263 00:18:39,440 --> 00:18:40,480 Oh, everything's okay. 264 00:18:42,020 --> 00:18:43,560 Yes, absolutely. 265 00:18:44,600 --> 00:18:45,600 Absolutely. 266 00:18:46,800 --> 00:18:48,520 Absolutely, Wilkins. 267 00:18:53,240 --> 00:18:54,240 Monday. 268 00:18:54,920 --> 00:18:58,680 Monday. I am giving a party, Wilkins. 269 00:18:59,460 --> 00:19:00,680 Very good, sir. 270 00:19:17,270 --> 00:19:24,070 Ladies and gentlemen, now, I promised you a surprise, and 271 00:19:24,070 --> 00:19:25,670 I promise you won't be disappointed. 272 00:19:26,410 --> 00:19:28,650 Are we ready, Wilkins? 273 00:19:28,910 --> 00:19:29,910 Ready, sir. 274 00:19:31,930 --> 00:19:35,850 Now, now for the magic moment. 275 00:19:57,320 --> 00:20:04,320 Oh, get me out of here. Get me out of here. Get me 276 00:20:04,320 --> 00:20:05,319 out of here. 277 00:20:05,320 --> 00:20:06,620 Are you feeling it? Oh. 278 00:20:08,540 --> 00:20:11,060 Lionel, you are wicked. 279 00:20:12,330 --> 00:20:18,210 Don't you think it would be rather cozy if I were to stay and 280 00:20:18,210 --> 00:20:20,450 cheer you up? 281 00:20:38,770 --> 00:20:40,750 I think I'm going to be sick. 282 00:20:46,129 --> 00:20:50,090 I'm sorry, sir. I couldn't stop her. Wilkins, please. It's all right. Just do 283 00:20:50,090 --> 00:20:50,729 I ask. 284 00:20:50,730 --> 00:20:51,730 Very good, ma 'am. 285 00:20:53,790 --> 00:20:55,590 Forgive you, Lionel. 286 00:20:56,290 --> 00:20:59,510 I just wanted you to know that I forgave you completely for everything. 287 00:21:00,090 --> 00:21:01,970 I know it was only a joke. 288 00:21:03,670 --> 00:21:06,870 But, darling, you mustn't listen to the things people say. 289 00:21:08,270 --> 00:21:09,610 I love you, woman. 290 00:21:10,460 --> 00:21:12,940 I shall always love you to my dying day. 291 00:21:14,080 --> 00:21:15,480 Jeannette, my darling girl. 292 00:21:16,520 --> 00:21:17,860 I have to tell you. 293 00:21:21,500 --> 00:21:22,500 Open it. 294 00:21:23,500 --> 00:21:27,020 Open it. This is a little piece of ring. What can I say? 295 00:21:30,180 --> 00:21:33,580 I... I don't know how to apologize. 296 00:21:33,800 --> 00:21:35,180 Oh, darling, don't try it. 297 00:21:37,000 --> 00:21:38,740 Come here. 298 00:21:43,370 --> 00:21:45,010 Thank you, Milton. 299 00:21:46,470 --> 00:21:53,010 The important thing is, Lionel, darling, that we're 300 00:21:53,010 --> 00:21:54,650 friends again. 301 00:22:17,689 --> 00:22:19,310 I'm trying to do the deletion. 302 00:22:20,570 --> 00:22:22,090 Just deletion.